PUBLICATIONS

Place

Exhibition poster for 'Place' at Two Rivers Gallery, featuring an abstract painting with vibrant colors including yellow, red, black, and various shades of gray and green.
Upturned tree roots and trunk in a green forest, with various plants and trees in the background.

Contextualisations - Artist-in-residency - Whitehorse 2018

A blue building with a sign reading 'Whitehorse Star' in front of a multi-story apartment complex, with snow on the ground and cars driving by.
Posters for an art residency program featuring three circular images of sculptures and art installations with snow, cityscape, and performance art scenes, titled 'Résidences d'Artistes 2018-2019' with logos of sponsors at the bottom.

Maillardville, 100 years and beyond - Book

Black and white collage of photographs of different people, including children and elderly, with the text 'Maillardville, 100 ans et plus, 100 years and beyond' and a faded background image of houses.
Black and white photo of a damaged street in Maillardville with toppled utility poles and two men standing on the road, surrounded by houses and trees.
Black and white photo of a person standing on a balcony looking down into a square opening with multiple small square windows on the walls surrounding the opening.

Life of Water - Book

Black and white photo taken through a rain-covered window of a road with power lines, trees, and a blurred sign reading "E.J. Klas" in the distance.
A black and white photo of a bridge over water with two signs indicating a speed limit of 7 mph and 7 km/h, and a blurred background of hills.
A rainy night scene at a street corner in Toronto, with cars and a building, illuminated by streetlights and reflected on wet pavement.

PhotoSensitive organized the group show “Life of Water” with the works of 100 Canadian photographers and presented two large prints from Florence Debeugny’s photo essay “Prepare to Stop” which addresses the connection between the very dry summer of 2005 in Metro Vancouver and the increased use of cars, an acknowledged contributor to climate change.
The prints were published in a book.

2006 – Maison de la culture Côtes-des-Neiges, Montréal, Québec
2006 – The Moat Gallery, Vancouver Main Public Library, BC
2005 – Allen Lambert Galleria, Toronto, Ontario, September

Event Magazine - 31/3, winter 2003

Cover of a magazine titled 'Event' with a staircase shadow on the wall, featuring various writers and categories.

Cover page, photograph “Yellow stairs”

Geist Magazine - issue no. 41, summer 2001

A magazine spread titled 'Industrial Ghosts' with black and white photographs of abandoned industrial sites, including overgrown buildings and weathered machinery.
Collage of black and white photos showing rustic, worn-out house on a hillside, tangled ropes, a wooden door, spiral staircase, wooden fence, and a chair in a natural setting. Two pages of text discuss imagination and craftsmanship.

The featured article, “Industrial Ghosts,” presents the installation “At the Edge of Wilderness”, coordinated by the Western Front and exhibited at the Vancouver Ironworks in September 2000. Nineteen of the installation’s 400 photographs are published in the article. The article’s text includes words found in Hildegard Westerkamp’s soundscape composition, part of the installation.

Soundscape Journal, the Journal of Acoustic Ecoloy - Volume 1, Number 2, Winter 2000

Cover page of a publication titled 'Soundscape,' Volume 1, Number 2, Winter 2000, featuring a black-and-white photograph of tree branches reflected in water with street lights and a lamppost in the background. The cover includes the subtitle 'Silence, Noise, and the Public Domain' and 'The Journal of Acoustic Ecology.'

Cover page photo “Pavement reflection” and inside photo “Rain in the park”